HelloHalima

J COLE, A REVIEW ON HATERS, ‘THE NEIGHBOURS THINK I’M SELLING DOPE’ AND HOPE

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Instead of studying for my exams, I am sitting here listening to J Cole’s latest album ‘4 Your Eyez Only’. The fire that is emanating from my speakers is quite distracting (oh god Halima that was so corny, this is why you don’t write any reviews!). This by far is NOT a traditional music review- I am just a mere mortal who has immersed herself into the cold world of J Cole. Personally, I feel like this album is quite different- a visceral and emotionally charged account on themes of  mass incarceration, racism, love, marriage, growing up, mortalities as a black man and the perils of fatherhood. While these are ideals that he has touched on in the past, this album feels different. It feels like a good-bye letter, a joint effort cultivated through the experiences of his fallen friend (James McMillan) and the experiences that he wishes us to know about. This is a direction that was quite interesting to experience through our eyes and through Cole’s eyes as well.

At first, I was expecting a powerful classic, one that mirrored the same intensity and power as ‘Born Sinner’ or ‘2014 Forest Hills Drive’,  I ended up listening and being exposed to a sad and climactic goodbye. A farewell to familiar themes, ideals, beliefs, experiences. This narrative consisted of a 10 track story told through the perspective of Cole himself and that of his friend (possibly- James McMillan). What I loved about this album is how you can just close your eyes and be transported to wherever he is. The nature of his storytelling transcends traditional norms of the rap music that exists these days- with the rise of the Lil Yachtys, the Macklemores, the Madeintyo’s,  it is easy to be dazed by the appeal of trash music and not be able to recognize heartfelt sound when it drops and hits you in the face. It is also easy to be confused and not appreciate the full power of ‘4 Your Eyez Only” when the interconnection between fake trap- actual trap and plagiarization of this Cole-esqe type of aesthetic is all you are familiar with. Was that an attempt of me trying to dissect this album on a macro level? Who knows? What I do know is a few of my friends have come out the woodwork as newly coined Cole haters by saying all of J-Cole’s music “sounds the same” and “is not original” to which I say, first… no two J-Cole songs sound the same, it resembles the snowflake effect or that of eyebrows, you will never have the same Cole song. It is because all the lyrics are beautifully poignant, paint lovely imagery in your mind, so real you start to see it come alive (remember how visceral wet dreams was?) and second, I can’t take music advice from people who think Macklemore is a work of art. Sorry not sorry. 

The most striking song (and my favourite off the album) is ‘Neighbours’. It tells the story of J Cole renting out a home for his Dreamville producers, artists. What was supposed to be a haven and a safe space to create music and be inspired quickly became poisoned by the influence and patriots of white suburbia. ‘Neighbours’ is a wonderful representation of the racism that is ravaging the world as Cole recounts what happens when you become a victim of the discriminatory beliefs and racist ideals his neighbours had. Cole starts off the song with a powerful intro: /I guess the neighbours think I’m sellin’ dope, sellin’ dope/ Okay, the neighbours think I’m sellin’ dope, sellin’ dope/ Sellin’ dope, sellin’ dope, sellin’ dope/. The irony is that Cole is indeed selling dope, his dope music, his dope persona, his dope story-telling all culminating in this amazing song and album to come out of it- horrible and typical experiences that are a result of such deeply rooted hatred from white people who only think black people at J-Cole’s caliber can be either drug dealers or rappers. Cole later on explains that he “can’t sleep cause [he’s] paranoid, black man in a white man territory. Cops bust in with the army guns, no evidence of the harm we done. Just a couple neighbours that assume we slang. Only time they see us we be on the news, in chains, damn” This diminishes his personhood as they do not lend him the courtesy of seeing him as a neighbour, as an equal. This just goes to show that levels of fame are not enough to protect you from these kinds of experiences. I feel as though some ignorant people would expect experiences like this to disappear and not affect prolific artists once they reach a certain level of fame- it does not matter if you are one of the president’s favourite artists or if you have grammys and oscars to your name, ignorance and racist ideals will seep through and hatred will become an overwhelming force to be reckoned with. Cole mentions this in ‘Neighbours’ but later leaves us with a sense of hope, a sense of renewal, a sense of clarity as he says ‘My intuition is telling me there’ll be better days’.

While there is a lot I can say about this album, what I will say is for the people saying “I was expecting better…”, “This is not his best album….”, “J Cole fell off”, I can only say I’m sorry for your loss. The impactful nature of this album and the ability Cole shares by being able to not only rap and express himself from multiple points of view and perspectives but share in the perspectives of others is astonishing. I do not believe ‘4 Your Eyez Only’ was meant to be the next “2014 Forest Hills Drive” or even a carbon copy of any of his earliest works. It is meant to be an album that speaks to the nature of today- an emotional, political and powerful commentary that is able to speak to the many. A narrative that honours his friend and shares in his legacy and allows for us to do the same. Thank you J Cole.

 

 

 

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